As with my last post, I haven’t made a lot of progress, but its good progress. I have also been working on the structures. Partly, the never ending task of cutting out window openings.. I’m still on the first wall…so that’s going well…but I have made some progress on other parts of the structures for the layout.
Progress on painting buildings. Applying new to me techniques with mortar washes and using PanPastels to very the brick tone. The first two shots of the foundry show some work with PanPastels over paint. The second show Roberts Brick Mortar on the warehouse and boiler house.
For the buildings, I am still in experimenting mode, trying to learn techniques, and improve ones I have used before. I am working to find a look and feel for my buidings that feels real to me, and look like their actual selves. One of the challenges of modelling a real place, is that you can quite literally drive down the street and compare your models with the real thing!
The first product I have been playing around with is Roberts Mortar. It is a paint product designed to be applied to brick, then wiped away to create mortar lines. There are many different ways to achieve this. This product is designed for where you have already painted buildings and need to bring the lines out. An alternative that I will be trying is painting the building white/light grey (primer basically), then dry brushing the brick. Dry brushing is when you take a bit of paint, wipe the brush so almost none is left, then wipe it across the surface That applies a little bit of paint to the top of bricks, but not into the mortar courses. This is a technique I have used, badly, and am working to get better at. With the Roberts, I have found that it leaves a fairly bright mortar course, but that you can remove more even after you think its dried with a damp cloth. I have also found that subsequent weathering with PanPastels helps to tone down the courses.
PanPastels are the second tool I am working on expanding my use of. I have used them for weathering, and for roads, but they are also great for creating brick tone variation and weathering on buildings. I am still figuring out the right way to do it, but thus far, I have learned that its similar to dry brushing, once you’ve got some pastel on the applicator, wipe off most on a piece of paper towel so that you are only applying a little bit to the top surface, you don’t want to fill in the mortar courses with the pastels. Once they are applied and you are satisfied, they do need to be sprayed with a fixative, or clear coat. They will stay in place, but if you might need to handle the buildings, not sealing the pan pastels runs the risks of getting future fingerprints in your work.
Still more to go, and more to try, but the buildings are slowly coming to life as they get some paint and grime and such on them. It isn’t where I want it to be at the end of the day, but I can see the vision coming to life every time I experiment with some more paint or powder, and that is a very good thing.